To be honest, I didn’t get an IPod until I was in grade 11. I was that girl who brought her Walkman to school and listened to my CDs on the bus. Walking into HMV when I was younger was probably one of my favourite things to do, I would save up my weekly allowance and that would be the first place I headed. I think at one point I owned more then 50 CDs. When I eventually got my IPod I started taking my CDs and ripping them to my computer so I could transfer my songs, I even went to the library and rented CDs –yea that was a thing, how many of you knew that? I was never one to purchase music off ITunes I went straight to the source, the CD shop. I think growing up I had a fear of downloading music, that and the fact that I didn’t know how to do it until my boyfriend at the time showed me Utorrent and Torrent sites to acquire music for free—that wasn’t until grade 12.
“Unlike underwear or swimsuits, music falls into that category of things you are normally obligated to share with your dorm mates, family, and friends” (Condry 7). Whether we purchase that CD at HMV or illegally download it from a Torrent site sharing it with others is inevitable. We blare our CDs in our cars with others we use it as background music at a party. It is almost impossible to not allow others to share music when in the first place it is there to create a social bond.
Music is to be experienced with others, and one of the first things I like to do when I find a song or an artist that I enjoy is share that music with someone I also think would enjoy it. Peer-to-peer development has progressed using sites like grooveshark, and many other social media music sites, allowing for that sharing to happen. Purchasing CDs has lessened over the years since other methods of acquiring music have been created. The last time I purchased a CD was probably when I was 19, and it was a Beatles CD. I had this obsession when I was a kid to own every one of their CDs (which has almost been accomplished). I think for me to rationalize buying a CD is if it is a timely classic, a band that will never be a phase, and one that I will enjoy for the rest of my life. I still don’t use ITunes to buy music and for a long time I was a culprit (and from time-to-time still am) to illegally downloading music—although I think the last time I downloaded a song was probably over 6 months ago. Another process for me rationalizing purchasing music is if the artist is new or they are not a sell out to multi-million dollar cooperation’s. I don’t think music should be created to make millions of dollars I think music should be created to be shared and enjoyed freely.
Since I have dabbled in the on-going affair of illegal downloads I would say that I have conflicted the practice of proper copyright regimes. Since one of the major reasons for pirates, noted in the article “A Study on On-line Pirates”, is the inability to afford content people are more obliged to acquire music for free whether that is through sharing through online sites and apps or through illegally downloading from torrent sites (Steinmetz 56). “If music is just a commodity, consumers will get it as cheaply as they can. If music is the art and lifeblood of a group they care about, fans will support that group” (Condry 26). There was a 7.2% raise in CD prices between 1999-2001 creating an incline in downloading and a decline in purchasing, especially if someone only wanted to obtain a couple songs off that CD (Condry 10).
Music creates a bond and a connection between peers or artist and fans. The ability to have access to music where ever we go is a great phenomenon that should be shared. Music is a voice to be heard and acquired freely.
Works Cited
Condry, Ian. (2004). Cultures of Music Piracy: An Ethnographic Comparison of the US and Japan. International Journal of Cultural Studies. 7 (3), pg. 343-363.
Steinmetz, K., K. Tunnell (2013). Under the Pixelated Jolly Roger: A Study of On-Line Pirates. Deviant Behavior. 34 (1), pg. 53-67.